Tag Archives: University of Texas Press

Blame it on TRIO

Liz McKay, curator of the art for Trio 2020, presents Marianne Huebner’s paintings with help from Mark Bumgarner, Michael Robertson, and Jim Hamilton.

If a writer’s lucky, a book takes on a life of its own out in the world. Four years after its original publication and two years after the paperback version hit the streets, John Prine: In Spite of Himself continues to take me to unexpected places. One of them was my ancestral homeland: Spartanburg, South Carolina. (My mother’s family was from nearby Anderson.) I headed down I-85 from Greensboro recently to attend my first trade show by the Southern Independent Booksellers Alliance (SIBA) and talk about the book.

But this was no ordinary reading: It was a gathering of phenomenal talent brought together by Shari Smith of Working Title Farm in Boone, North Carolina. She began her TRIO project in 2015, and invited me to participate for its final year in 2020. Here’s how Shari describes TRIO: “One book is given to both a songwriter and a visual artist. They write a song and create a work of art inspired by the book they read fulfilling their TRIO. Each TRIO will travel to museums, galleries, and literary events throughout the following year.”

The TRIO 2020 launch at SIBA showcased those books, songs, and pieces of art, with the audience treated to performances by the likes of Rod Picott, Kay and Patrick Crouch (new friends I met through Shari), and John Jorgensen. John’s a legendary guitarist and multi-instrumentalist who has toured or recorded with everyone from Johnny Cash to Luciano Pavarotti. He also happened to play on one of Prine’s best albums, The Missing Years. Radney Foster was on the bill for Spartanburg as both an author and songwriter, but a dental emergency forced him to cancel at the last minute. Other authors for TRIO 2020 include Rodney Crowell, Shari herself, Dixie Gamble, Nicole Sarrocco, and Tamara Saviano, whose Without Getting Killed or Caught: The Life and Music of Guy Clark was recently named one of “Ten Essential Music Biographies.”

The Spartanburg event gave me my first glimpse at the paintings created by Marianne Huebner, which beautifully capture the earthy, deceptively simple nature of Prine’s songs. Songwriter Sarah Aili recorded a gorgeous, impassioned version of Prine’s “Angel from Montgomery” to round out my part of TRIO 2020.

The SIBA show in Spartanburg was just a warmup. Watch the TRIO Facebook page for gatherings across the Southeast in the coming year.

There’s another exciting new development with John Prine: In Spite of Himself that’s not quite ready for unveiling. For more on that, watch this space.

Sing a song for Scuppernong

scuppernong-books-sign-downloaded-09-07-2016Southern Living magazine recently named Scuppernong Books in downtown Greensboro one of the “South’s Best Bookstores,” and its Words of Note series is one of many things that make it a special place. The good folks at Scuppernong have been kind enough to ask me to return for a reading on Tuesday, Sept. 13, at 7 p.m. Two of North Carolina’s finest singer-songwriters (and frequent collaborators), Molly McGinn and Sam Frazier, will join me to sing some John Prine songs.

I am honored to share the mike at Scuppernong with a number of other music book authors, including David Menconi, one of my editors for John Prine: In Spite of Himself and a fellow author in the University of Texas Press’s American Music Series. David will speak Friday, Sept. 9, about his book Ryan Adams: Losering, a Story of Whiskeytown, which launched the series in 2012. Other writers at Words of Note will include Penny Parsons – who I worked with regularly when she was a publicist at Sugar Hill Records – talking about her fine new biography Foggy Mountain Troubadour: The Life and Music of Curly Seckler, and Emily Edwards, a UNC-Greensboro media studies professor who will read from her Bars, Blues, and Booze: Stories from the Drink House.

The Words of Note series at Scuppernong is part of 17 Days, Greensboro’s annual arts and culture festival, and coincides with the second year of a three-year run by the National Folk Festival in downtown Greensboro. I can’t think of many places I’d rather be, music-wise, than Greensboro in September.

Meanwhile, there has been some big news from Prine lately. His first album of newly recorded material in nearly a decade, For Better, or Worse, will come out Sept. 30. It’s a sequel to his beloved 1999 album In Spite of Ourselves, and like that collection features Prine performing classic country duets with female singers. A couple of singers from In Spite of Ourselves are back for the new album (Iris DeMent and Prine’s wife, Fiona), but most of the cast is new, including veteran performers such as Kathy Mattea and Alison Krauss joined by relative newcomers such as Miranda Lambert (who covered Prine’s “That’s the Way That the World Goes ‘Round” on her Revolution album in 2009) and Kacey Musgraves (a rising star who paid tribute in her song “Burn One with John Prine”).

Finally, Prine and another acclaimed singer-songwriter who also began his career in the 1970s, Tom Waits, have been named this year’s winners of the prestigious PEN New England’s Song Lyrics of Literary Excellence Awards. They are scheduled to receive the awards Sept. 19 at the John F. Kennedy Presidential Library and Museum in Boston. Rosanne Cash, a member of the nominating committee, told Rolling Stone, “They’ve contributed definitive works to the American canon. That’s basically it. You can’t imagine a broad version of the American songbook without the songs of these people.”

Sold American!

We got the Louisiana boogie and the delta blues
We got country, swing and rockabilly, too
We got jazz, country-Western and Chicago blues
It’s the greatest music that you ever knew
It’s American music, it’s American music, it’s American music
It’s the greatest sound right from the USA

– the Blasters, “American Music”

John Prine: In Spite of Himself will be the fifth book in University of Texas Press’s American Music Series, following portraitsMenconi David Losering book cover 02-17-2015 of the Flatlanders, Merle Haggard, Dwight Yoakam, and Ryan Adams / Whiskeytown. One of my editors, David Menconi, wrote the Adams book. The pace of the series will pick up over the next couple of years, as David details in a recent post on his blog.

The series will also expand beyond the country / folk / Americana realm in 2016 with books about Madonna and Mary J. Blige. I’m especially interested in Kristin Hersh’s forthcoming book about Vic Chesnutt. He was a brilliant eccentric who clawed his way back from partial paralysis after a teenaged drunk-driving accident. Chesnutt released a series of thorny, beautiful albums that showcased his yowling Southern drawl, inspired guitar playing, and unique sensibility.

I had the great pleasure of spending a cold 1993 day in Athens, Georgia, with Chesnutt and his wife, Tina, interviewing them for Option magazine. Chesnutt wrestled with many personal demons, failing in several suicide attempts. Lacking health insurance and overwhelmed by medical bills, he finally succeeded, dying on Christmas day 2009. Keep an eye out for Kristin’s book, and take half an hour sometime to enjoy Pete Sillen’s unflinching, deeply moving 1994 documentary, “Speed Racer: Welcome to the World of Vic Chesnutt.”

The race is on

Hi, folks. In slibookcoverghtly more than a month University of Texas Press will publish my first book, John Prine: In Spite of Himself, part of its American Music Series. I’m starting this blog as a companion piece to the book. Watch this space for news of upcoming events related to the book, behind-the-scenes stories and photos about researching and writing it, and more.

The big news so far: Publishers Weekly put my book on its list of Most Anticipated Books of Spring 2015, alongside upcoming releases from the likes of Toni Morrison, Nick Hornby, Thomas McGuane, Kim Gordon, and Erik Larson. I was surprised and honored to find myself in such esteemed company.

PW gave the book a positive review: “Huffman’s book will make us want to pick up Prine’s albums and listen to them once again or for the first time.” Kirkus also gave it a good review, saying “Huffman proves an amiable companion as he leads readers though the musical development of an artist whose songwriting uniqueness has prevailed over a decided lack of ambition and decades of commercial indifference.”

Thanks for checking in! See you soon.